Company Marc Bosch
Year
2025
Origin
Original idea and authorship :
Marc Bosch
Circus artist :
Marc Bosch
Stage machinist and rigger :
Andrea Avgousti
Main external eye
Chiara Marchese
Dramaturgical support :
Julieta Gascón
Specific external eye :
Elena Zanzu
Gender perspective :
Andreas Avgousti
Lighting design and technical support on tour:
Marieta Rojo
Costume design :
Atelier Novedades
Composition of the sound space:
Pol Jubany
Construction of stage props :
Juan Luis Toledo
Physical conditioning for the new circus apparatus:
Eliot Theodor
Photographic and audiovisual record:
Uriel Zadler
What remains of us when the layers that cover us disappear?
Escorça is a contemporary circus show that explores identity through the body, objects and light. The piece constructs a visual poetics that invites us to question our own layers of protection.
A fixed trapeze that transforms into a hanging coat rack. A body that moves between balance and loss, between control and metamorphosis. Sawdust, costumes and strings that conceal and reveal, that come off like a second skin. In this dialogue between body and matter, Escorça invites us on a sensory journey where the immutable becomes changeable and where essence, far from being fixed, reveals itself as a constantly evolving construction.
An intimate and physical show that blends circus, physical theatre and object manipulation, creating an immersive and reflective experience for all audiences.
The company was born from the collaboration between Marc Bosch (Vic 1992) and Andrea Augusti (Nicosia 1992), two creators with diverse but complementary backgrounds, united by a critical and poetic view of contemporary circus and identity.
Marc Bosch (he) began his artistic journey through music and theater before fully entering the world of circus. With a background in biology and neuroscience, he decided to make the professional leap to the circus in 2018 and graduated from the Rogelio Rivel school in 2022, specialising in fixed trapeze and trampoline. He has worked with creators such as Gina Vila, Veronica Capozzoli, Roberto Magro, and Karl Stets. He has been part of Project K (Sputniks Company) and Les Coursedes Choses (Zirkus Chnopf, Switzerland). He has also collaborated on stage productions such as the opera Un Ballo in Maschera at the Teatre del Liceu.
His artistic approach is based on an interdisciplinary physical language where circus, theatre and music interact from a genuinely intimate perspective.


